Frank Ruddigkeit

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Metadata
  • Title
  • SummaryThe picture Music and Time; How did it come to the order; Prof. Heisig had the overall direction of the order; How did it go on?; the matter for the entrance zone was more complicated; the draft was submitted; some trouble with this entrance story; a real ceiling painting; I then made a draft (earth fall); From earth fall to music time; Schierigkeiten of the theme modification; Why representation of the history from the left?; How can one view the picture from the point of view of music?Formal questions - decrease of the order value; practice of the order system in the GDR; relationship client - artist; possibilities, measures of influencing; illustrating: personal - anecdotal - friendship with Dr. Kleine; the acceptance commissions with us were occupied for a long time; self-censorship?Rigorously as a component of artistic activity; subjective-personal perception and realization of commissions; illustrative anecdote on the subject; ideology transport through commissioned art in the GDR; socialist realism and realism in general; remark by Werner Tübke; retrospective evaluation of commissioned art in the GDR; lecturer/educator; practical support in the GDR development contract
  • Shotlist
  • TagsGerman Democratic Republic (GDR); art; artist; commissioned art;
  • Decade1990
  • Production Year1994
  • Release date
  • Genre
  • Collection
  • SourceDEFA
  • Country of Production
  • Actors
  • PersonalitiesFrank Ruddigkeit
  • DirectorUta Kolano
  • Producer
  • CameraSteffen Sebastian
  • Original Clip IdentifierQ6UJ9A00AEYK

Source: DEFA

Shoot Date:

Region / Stadt: Leipzig

Region / City:

Produktionsland: Deutschland

Production Year: 1994

Personalities: Frank Ruddigkeit

Original Title in Original Language:

Original Title English:

Original Summary:

Original Clip Identifier: Q6UJ9A00AEYK

Head of Production:

German Title: Frank Ruddigkeit

German Summary: Das Bild Musik und Zeit; Wie kam es zum Auftrag?; Prof. Heisig hatte die Gesamtleitung des Auftrags; Wie ging es weiter?; komplizierter gestaltete sich die Angelegenheit für die Eingangszone; es kam zur Entwurfsvorlage; etwas Ärger mit dieser Eingangsgeschichte; ein richtiges Deckengemälde; ich hab dann einen Entwurf gemacht (Erdensturz); Vom Erdensturz zu Musikzeit; Schierigkeiten der Themenmodifizierung; Wieso Darstellung des Geschichtsablaufs von links?; Wie kann man das Bild vom Standpunkt der Musik aus betrachten?; Formal Fragen - Abnahme des Auftragswertes; Praxis des Auftragswesens in der DDR; Verhältnis Aufraggeber-Künstler; Möglichkeiten, Maßgaben der Einflußnahme; illustrierend: persönlich - anekdotisch- Freundschaft mit Dr. Kleine; Die Abnahmekommissionen bei uns waren seit längeren besetzt; Selbstzensur?; Rigorosität als Bestandteil künstlerischer Tätigkeit; subjektiv-persönliche Wahrnehmung und Realisierung von Aufträgen; illustrierende Anekdote zum Thema; Ideologie-Transport durch Auftragskunst in der DDR; sozialistischer Realismus und überhaupt Realismus; Bemerkung von Werner Tübke; Retrospektive Bewertung von Auftragskunst in der DDR; Lehrtätigkeit/Ausbildung; Förderpraxis in der DDR-Entwicklungsauftrag

German Shotlist:

Genre:

English Title:

English Tags: German Democratic Republic (GDR); art; artist; commissioned art;

English Summary: The picture Music and Time; How did it come to the order; Prof. Heisig had the overall direction of the order; How did it go on?; the matter for the entrance zone was more complicated; the draft was submitted; some trouble with this entrance story; a real ceiling painting; I then made a draft (earth fall); From earth fall to music time; Schierigkeiten of the theme modification; Why representation of the history from the left?; How can one view the picture from the point of view of music?Formal questions - decrease of the order value; practice of the order system in the GDR; relationship client - artist; possibilities, measures of influencing; illustrating: personal - anecdotal - friendship with Dr. Kleine; the acceptance commissions with us were occupied for a long time; self-censorship?Rigorously as a component of artistic activity; subjective-personal perception and realization of commissions; illustrative anecdote on the subject; ideology transport through commissioned art in the GDR; socialist realism and realism in general; remark by Werner Tübke; retrospective evaluation of commissioned art in the GDR; lecturer/educator; practical support in the GDR development contract

English Shotlist:

Editor: Thomas Franke

Duration:

Director: Uta Kolano

Digitised: No

DEFA Genre: ,

Decade: 1990

Country of Production:

Country:

Colour: No

Collection:

Camera: Steffen Sebastian

Air date:

Actors:

Related Records

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