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SummaryThe picture Music and Time; How did it come to the order; Prof. Heisig had the overall direction of the order; How did it go on?; the matter for the entrance zone was more complicated; the draft was submitted; some trouble with this entrance story; a real ceiling painting; I then made a draft (earth fall); From earth fall to music time; Schierigkeiten of the theme modification; Why representation of the history from the left?; How can one view the picture from the point of view of music?Formal questions - decrease of the order value; practice of the order system in the GDR; relationship client - artist; possibilities, measures of influencing; illustrating: personal - anecdotal - friendship with Dr. Kleine; the acceptance commissions with us were occupied for a long time; self-censorship?Rigorously as a component of artistic activity; subjective-personal perception and realization of commissions; illustrative anecdote on the subject; ideology transport through commissioned art in the GDR; socialist realism and realism in general; remark by Werner Tübke; retrospective evaluation of commissioned art in the GDR; lecturer/educator; practical support in the GDR development contract
