Metadata
- Title
- SummaryThree years after Böttcher's portrait "Song international", where the filmmakers first met Chilean musicians such as the Violeta family, Isabel and Angel Parra, the groups Inti Illimani and Quillapayún at the 1971 Berlin Festival of Political Song, "Remember with Love and Hate" was created. After the 1973 coup d'état in Chile, the directors once again sought an encounter with some of the musicians, with those who could save themselves in exile. Montaged with photos and scenes from the film "The First Year" by Chilean director Patricio Guzmán, Böttcher and Liebmann tell of the music and its relationship to reality and the recent past.
- Shotlist0:00:00 Movie credits: VEB DEFA Studio für Kurzfilme 1974. Staff details: Werner Kohlert, Carlos Rincón, Bernd Sefzik, Gerda Schattenberg, Thomas Billhardt, Karin Klöpsch, Hans-Jürgen Mittag, Horst Simon, Bernd Merten, Franz Romanowski. Directed by Jürgen Böttcher and Rolf Liebmann. Crossfade to a photo of Isabel Parra (near). Crossfade to the movie title "Remember with love and hate !". Cut over to Isabel Parra's face at the microphone (nah) (original sound with German translation) "Seht wie sie zu uns von Freiheit sprechen wenn sie sie doch in Wirklichkeit die Freiheit abtneten. See how they preach calm while in reality the rulers torture us. See how they talk to us about paradise even though bullets fall down on us like hailstones. See their enthusiasm for the verdict though they knew they killed innocence. But they have put the noose around their neck with it, the 5th commandment is not valid. Who has ordered death like a hangman eats his breakfast in peace. What will the Holy Father say who lives in Rome that you "wrap your dove's neck"? Isabel Parra steps back from the microphone (half near). recut 0:01:35 Fade in "Song of Violeta Parra". View from below to the singing Isabel Parra behind the microphone (near) (original sound) "Que dira el Santo Padre": Miren cómo nos hablan, de libertad, cuando de ella nos privan, en realidad. Miren cómo pregonan, tranquilidad , cuando nos atormenta, la autoridad. ¿Qué dirá el Santo adre que vive en Roma, que le están degollando a su paloma? Miren cómo nos hablan del paraíso cuando nos llueven penas como granizo. Miren el entusiasmo con la entencia sabiendo que mataban a la inocencia. ¿Qué dirá el Santo adre que ve vive en Roma, que le están degollando a su paloma?..Editing to the accompanying guitar player Patricio Castillo (half near) (original sound)...Editing to Isabel Parra (original sound) "El que ofició la muerte como un verdugo tranquilo está tomando su desayuno. Con esto se pusieron la soga al cuello, el quinto mandamiento no tiene sello. Mientras más injusticias, señor fiscal, más fuerzas tiene mi alma para cantar. Lindo segar el trigo en el sembrao, regado con tu sangre Julián Grimau. ¿Qué dirá el Santo Padre que vive en Roma, que le están degollando a su paloma? Isabel Parra steps back from the microphone (near). 0:04:45 View to Isabel Parra and Patricio Castillo (half near). Speaker: "Isabel Parra came to us in Berlin in January 1974, together with Patricio Castillo, the guitarist, composer and singer. Almost exactly three years before Isabel Parra was here for the first time...(film insertion)...1971, in February. With the group "Quilapayún" she had come festival of the political song... (Movie insertion of the concert at that time)... We know exactly how it was, we filmed it. For us, they were the first ambassadors of Chile's revolutionary power. Remember." Fade in: "Isabel Parra "Quilapayún", Victor Lara "Inti Illimani", Luis Advis, Patricio Castillo. Film quotes from "The First Year" by Patricio Guzman". Redesign to the music-making and singing Isabel and Angel Parra during their visit to Berlin in 1971 (half near) (original sound). Backward zoom of the siblings at the final chord (half-total) (original sound). Isabel and Angel walk through a trellis of applauding spectators (half near) (original sound). Cut to the artists in the foyer of the house (half total). Speaker: "We wished them all that one wished the brother. The election victory of Unidad Popular was only a few weeks old. Font fade in "February 1971". A member of the group "Quilapayún" speaks in the foyer of the Congress Hall (halbtotal) (original sound with German translation) "Many artists have walked the path of "Quilapayún" in parallel paths. Already before, many singers and composers had started to make national music...(Zoom on the musician)...inspired by Violeta Parra, it was about the way of the cultural liberation of the Chilean people, against the ideological and cultural influence of the USA. Today there are many artists in Chile whose development path is the same. Isabel Parra, for example, who sang together with her mother Violeta Parra in the beginning..." Camera panning to Isabel Parra (half near) (original sound) "Yes, you wanted to talk earlier about many people involved in this movement...(Zoom on Isabel Parra)...It seems to me it is unique in world history that all artists of a country, almost all, and the best, yes, and the best work for the same thing. We who are sitting here and the others we mentioned worked hard and with great passion for Salvator Allende during the election campaign". recut 0:07:50 Speaker: "Chile's new music is a music of brotherhood and action. She has become involved in the organization of bold measures. This art and the masses stand hand in hand on one and the same square and walk the same street. This film is about brotherhood and the need to defend it". Camera walk through a trellis of people wearing safety helmets in Santiago during the election campaign in Chile (half near). Redecoration to a demonstration in Chile with banners and flags (half total). Landscape photos of Chile (total). Photos of railway tracks, poorly dressed women, family in a barrack, women in a fish factory (all close by). Cut over to an overburden excavator in a mine (half total). Camera walk towards men in a quarry (half near). View from below on the filling of freight wagons with ore (half total). Cut back to miners underground (semi-near). Speaker: "This joy, when was it? Three years ago, recently." The group "Quilapayún" enters the stage in the Berlin Congress Hall (half total). View of the clapping group members and Isabel Parra on stage (half total). Circumcision. View from the stage to the clapping spectators (half total). recut 0:09:40 Panning over the faces of the group members from "Quilapayún" to a narrative artist (half near) (original sound) "I think the following is important: In the beginning, Violeta Parra showed us the way (photo insertion of Violeta) and because we wanted to follow this path consistently, we approached the working class. This contact contributed to the movement centralizing itself, developing in its own task in the interest of the working class, that's what I wanted to say. Circumcision. View of Isabel Parra amidst the musicians (half total). Editing to a magazine photo of Violeta Parra (nah). Fade in "Violeta Parra". Speaker: "Violeta Parra has summarized her poetic program in one of her songs...(Portrait of Violeta)...where it says: "I feel like the farmers who only sing when they have something to say...(Photo of Violeta with guitar)...I'm singing about the difference between right and wrong, otherwise I don't want to sing it at all...(Photo inserts of farmers and families)...Chile's new political song "La nueva Cancon Chilena" expresses the experience of the class struggle....It is useful to speak of the experience of tied feet, today General Pinochet not only wants to tie up the feet of the working people, he also wants to cut off their tongues...(film by Isabel Parra with instruments)...these instruments which were shown to us three years ago are now forbidden". Font fade in "Isabel Parra". Zoom in on Isabel's face (close). Speaker: "Isabel Parra, daughter of Violeta, lives in exile today". Fade in "Luis Advis". Photo insertion of Advis (near). Speaker: "Luis Advis, Chile's greatest living composer, his music is forbidden". Edited to a photo of the group "Quilapayún" (near). Speaker: "The group lives today in emigration". Font fade in "Angel Parra". Photo fade in from Angel (nah). Speaker: "Angel Parra, Isabel's brother. Locked up in a saltpetre pit in northern Chile. Sentenced to 30 years imprisonment for his songs". Fade in "Inti Illimani" with photo transition (near). Speaker: "The Group Inti Illimani in Exile". Font fade in "Victor Jara" with photo fade in (near). Spokesman: "In him the bourgeoisie saw the red spectre of communism itself that bypasses in Latin America. She rantled against him in their newspapers and slandered him on their networks. Victor Jara is one of the first victims of the massacres at the National Stadium in Santiago. Circumcision. Camera panning over the singing and playing group "Quilapayún" on stage (half near) (original sound). Backward zoom on the group (semi-total) (O-tone). recut 0:12:55 Fade in the script "Remember me". Circumcision. Camera walk through a trellis of miners with safety helmets (half total) (original sound). Re-cut to Salvador Allende during the removal of an honorary formation (semi-near). Allende pans the camera to the cheering people on the square (half total) (original sound). Circumcision. Allende bows before the honor formation (half near). Fade in the script "Remember me". Circumcision. View from below on the speaking Allende (half near) (original sound with German translation) "People of Chile, People of Rancagua...(camera panning of Allende on the crowds on the square)...today is the "day of the national words" and also the day of solidarity...(recording of the drive past listeners)...Because Chile now breaks with the past and begins the way of its final economic independence....Here we have the portrait of General O'Higgins...(Drive around the equestrian statue of General Bernardo O'Higgins)...and here we can tell him the Father of the Fatherland, it is the people who won this battle, this battle of independence and national dignity". Panning over the cheering and applauding people on the square in Rancagua (half total) (original sound). Wiper. 0:14:30 Fade in the script "Remember me". Cut to music-making Chileans on a stage (half near) (original sound). Circumcision. Driving shot past men in an assembly room (semi-close). Spokesman: "This is an episode from the land reform, the previous owner is now handing over the land to the cooperative". View of a woman with a toddler (half near). Look from the front at the waiting new cooperative members (half-total) (original sound) "...and, as we have made a habit of it recently, we give the floor to the owner so that he can talk to you. Don Lorenzo from Cirast". Circumcision. Don Lorenzo takes the microphone (semi-near) (original sound) "Agricultural workers of this federation, I cannot say that I am very happy to hand over something I have founded...(camera walk past the faces of the new cooperative members)... No, it would not be true if I said that I am happy, unfortunately it is from those responsible for this reform, but in view of so many difficulties... (camera panning over the men to the table with Don Lorenzo)...who have appeared, I have decided to hand over the estate...(look at the serious faces of the cooperative members)...but expecting the production to remain as high as it has been until now, if it is possible...". View of individual faces of men and women in space (close). Speaker: "This happened at the "Rose fina" estate in the municipality of Meledia, Santiago Province. View into the room with the new cooperative members (half total). recut 0:16:15 Speaker: "In 1971 we heard for the first time the song of the land distribution: "I ask you if you never thought that we heard what the hands give us that also belong to us. The fences are gone, the ground is there for us, for you and for me, for Pedro, Maria, Juan and José". Editing to the singing and playing group "Quilapayún" with Isabel Parra (half near) (original sound). Isabel Parra sings together with the guitar player the song of "Pedro, Maria, Juan and José" (original sound). Backward zoom of the artists on stage in the congress hall of Berlin in 1971 (half total). Fade in the script "Remember me". Redecision on photos with smiling women and men in the ballroom of the government palace "La Moneda" (near). Spokesman: "These are recordings from 1 March 1973, it is four months before the June coup, half a year before the assassination of President Allende. Here, in the government palace "La Moneda" in the big ballroom...(photo insertion)...the handing over of new apartments took place". Circumcision. Camera panning from below over a fighter plane over the capital Santiago (half total) (original sound). Panning the camera from above over the burnt-out ballroom of the presidential palace (half total). Zoom from above over an armed soldier in the destroyed ballroom (half total). Cross-fading on photos from the event of the handing over of the flat in the festival hall (near). Speaker: "Time has clotted, photos are left... (Allende hands over the deed of residence to a woman)... Attitudes of people who did not come as petitioners, who wait calmly, taken seriously by the government that did not deal with empty promises....(Photo inserts of women and men in the hall)...A journalist who witnessed this event says about Allende...(photo)...He spoke as always after a few notes, very quietly and very exactly, so they listened". recut 0:18:55 View of the playing group "Inti Illimani" on stage (half total) (original sound). Intermediate cuts by individual musicians (semi-near) (original sound). Fade in "Inti Illimani July 1973 Berlin DDR". View of the group on stage in the Congress Hall (half-total) (original sound). Intermediate cuts with photos of Allende, workers and demonstrators (near). The inscription "Die Tür ist euch nicht verschlossen" and "Die Regierung der Volkseinheit braucht jetzt Bundesgenossen" (The door is not locked for you) and "Die Regierung der Volkseinheit needs allies now". Photo inserts of the group "Inti Illimani" and of Isabel Parra on the streets and in factories of Chile (near). Redesign to the group making music on the Berlin stage (halbtotal) (original sound). Circumcision. Portrait photo of Lenin (near). Speaker: "A little more than 50 years ago Lenin wrote a parable about the difficulties of young revolutionaries...(photo of demonstrating young Chileans): Let's think of a person who wants to climb a very high, steep and still unexplored mountain...(film insertions)... Isn't it natural to assume that the person in this situation, even though he has climbed to an unheard-of height, has minutes of hesitation?...(photo insertions)...from below you can hear gloating voices, which openly express their gloating joy by screaming, immediately he will fall down, that happens in the right, why is he so crazy?...(film recording of a demonstration)...the others try to hide their gloating joy. They turn their eyes in sorrow and complain, but unfortunately our fears have proved to be justified". Photo portrait of Lenin (near). recut 0:22:00 Photo inserts by Isabel Parra, vegetable sellers, bus travellers and demonstrators (near). Backward zoom of a photo with women at a bus station (near). Speaker: "A bus ride with the singers of the group "Inti Illimani" and Victor Jara in the Chilean summer of 1973". Photo of the group in the bus with advertising leaflets "Laura Allende" (near). Photo inserts of the group during the bus ride (close). Fade in "Music by Victor Jara". Photo insertions of the eating travellers in the bus (near). Photos of Victor Jara in the coach (near). Intermediate cuts with photos of cheerful people in the coach (near). Editing on photos of voluntary work assignments (near). Speaker: "Here, Victor sang Jara and everywhere it was important. He has worked more than all of us...he was important everywhere...(photo inserts of volunteers during construction)...he himself said: The main thing is that mine is a real revolutionary and not a trader in terms of public taste. There is a youth...(photos)...that identifies with us and that demands that we actually "stand by what we say". Photos of and with Victor Jara at the volunteer work (near). Photo from an open air concert on a meadow with Victor Jara (near). Fade in "Victor Jara sings". recut 0:26:15 Schwarzbild, the speaker added: "Some time later General Pinochet will present his own ideas of popular unity, the perpetuation of the Latin American drama "The Appearance of Opposites". He will describe politics as a "vice that has harmed the Chilean people long enough". Camera walk with men carrying coal sacks (half total). Countercut on a photo with a couple in festive clothes from the upper class (near). Counter cuts worker and rich woman (half near). In 1971, women demonstrated with cooking pots on the street (half near). Photo of school meals (near). Circumcision. Backward zoom of a photo of the group "Inti Illimani" on stage (close). Photo of a singer with guitar (near). The legend "The bloodhounds are on their way to exterminate the Chileans" is faded in. Intermediate cuts with photos of the music group (nah). Fade in "Song of Pablo Neruda". Film insertion of laundry washing women (half total). The bloodhounds are on their way to exterminate the Chileans". A woman washes her clothes between barracks (half total). Photo of fish women in a factory (near). Font fade in "Ay! Qué haremos? What are we going to do"? Photo: Mother with child (near). Font "What" fade in? Photo of Victor Jara with guitar (near). Speaker: "On September 11, 1973, Victor Jara was among the defenders of the Technical University in Santiago, he had never held a weapon in his hand". recut 0:28:25 Military patrol with firearms in hand in Santiago de Chile (half total). Soldiers with pistols and rifles on the vehicles and on the road (shaky shots) (half total). Speaker: "The well-known document from June 1973, the muzzles of the weapons aimed at the cameraman who filmed it, and he resisted them". Zoom on a shooting soldier on the military vehicle (half total). Black image. Speaker: "Then shot...and always heard new death news in front of us, and here Isabel Parras changed face...(movie fade in)...this January 1974. Another fight has begun". Circumcision. Hand with magnifying glass slides over a newspaper report with a soldier photo "Uno de los integrates de la Junta golpista: el comandante en jefe del Ejercito Augusto Pinochet" (near). Speaker: "When we started working on this film, we researched Patricio Guzmán's exciting film report on the first year of Unidad Popular's reign...and we also saw that in Guzmán's film, the music corps and those lancers...Santiago in 1970, the Prussians rode through Chile, our own historical enemy. We now know that Prussian officers reorganized the Chilean army at the end of the last century. We need to look history face to face. English imperialism and especially North American imperialism have contributed to the recent history of this army (photo insertion). Three imperialist powers shook hands to create Chile's military (photo fade in). of course this handshake was a wrestling match, has won the strongest economic potential...(magnifying glass glides over a newspaper report)...the North American, and yet there was a democratic wing in this army, soldiers who turned the gun over in 1973. No, one cannot say that the face of this army (photo fade in) is nothing other than that of brutality...(magnifying glass glides over a newspaper report)... The instruments of the coup d'état, directed by US imperialism, so they did not want to be depicted, but "so". Spokesman: "The new fascists are fishing in the world for followers... (Zoom on the face of Pinochet with sunglasses)...for the claim that Allende's reign was an intoxication, they declare themselves entitled to play the role of disillusionment. We will, Pinochet proclaims, finally present the Chileans with the strong nation as their goal". recut 0:31:20 Camera panning from below over a fighter plane approaching Santiago (half total). View of the burning presidential plast "La Moneda" (half total). Speaker: "Salvador Allende (photo) said that I am not an apostle and not a Messiah, I am not a martyr either, I am a social fighter who fulfils a task that the people have given me". Zoom on the photo of Allende (near). Cut back to soldiers at the bombed presidential palace (half total). Camera panning over traces of blood on the street floor (half total). Cut to photos with dead on the paths and lawns (near). Cut back to arrested citizens of Chile (near). Photos of arrested persons with raised hands (near). Photo of the arrested lying with their faces on the ground (near). Photo of armed soldiers (near). Photo: Soldier kicks the head of the person lying on the ground (near). Photo: Tanks and soldiers next to prisoners on the ground (near). Photo: Faces of prisoners (near). Film footage (with camera panning) of arrested men in a square and on the streets (half total). Zoom on the undressing men after their arrest in a stadium (half total). Camera walk past the armed soldiers in the stadium (half near). Photo of imprisoned behind bars (near). Photo of soldiers with files and books in their arms (near). Film footage of soldiers burning books and files on the street (half total). View of the burning of flags and symbols of the Chilean revolutionaries by the military (semi-near). Zoom to the burning of records with revolutionary songs (semi-close). Soldiers with a long-playing record "Chile" (half near). Photo of an arrested person (near). Circumcision. 0:33:50 Driving shot past cheering people (half total). Circumcision. Allende goes to the people at the roadside and greets them (half near). Drive photo past a house with cheering people (half total). View of the waving Allende after his election victory in an open car (half total). Redesign to the group "Inti Illimani" on the Berlin stage (halbtotal) (original sound). Camera panning over the group members (half near) (original sound). "Que dira el Santo Padre. Backward zoom of the group (semi-total) (O-tone). The artists bow to the applause of the audience (half total). Cut over to a photo of the laid out Pablo Neruda (near). Speaker: "Pablo Neruda wrote: Don't close my eyes, not even after death...(Newspaper article "Adiós Neruda sin levantar la mano")...I still need it to learn and to contemplate, to comprehend my death". Newspaper photo of the dead Neruda (near). Cut over to the face of Isabel Parra behind the microphone (near) in the off to her words: "They are no bells, no, they are bells of life and not of death...(from here TC 0:35:55 the documentary film is colorful)...it is a whole people of comrades who stayed there and died like this. Hundreds of thousands all over Chile. Copper is ours, yes, if you ask us we will answer with the plough, with the hammer and the partisans, hundreds of thousands throughout Chile. Full of joy we will make the Cordillera ours, the whole fatherland with its great tenderness and strength. Hundreds of thousands all over Chile". Colour material: View of two singers of "Inti Illimani" in front of the closed fist on the back wall of the stage (half total). Circumcision. View from above onto the stage in the Berlin Congress Center with stage background with large closed fist and slogan "Venceremos Unidad Popular" with Free German Youth (FDJ) sign (half total). Red-cut to the singers of "Inti Illimani" dressed in red capes in silent memory of the dead of Chile (half total). Cut to a photo with demonstrating young Chileans (near). 0:36:50 Cut to black and white footage with Isabel and Angel Parra on stage in Berlin (halbtotal) (original sound). Fade in "Song by Daniel Viglietti". View from below on the siblings (half total). Isabel Parra sings the song "Por todo Chile...". Zoom from below to the singing and playing Isabel Parra (half near) (original sound). Zoom on the face of Isabel Parra (near) (original sound). Backward zoom from Isabel's face to both artists on stage (half total). dimming 0:39:45 END
- TagsGerman Democratic Republic (GDR); Chile; music; coup; exile; freedom; Roma; Berlin; congress hall; festival; terror; revolution; Unidad Popular; Santiago; singer; composer; liberation; election campaign; demonstration; working class; military; class struggle; emigration; prison; communism; Latin America; United States of America (USA); Press; Massacre; National Stadium; Rancagua; Independence; Land Reform; Cooperative; La Moneda; Presidential Palace; Autobus; Prussia; Imperialism; Dungeon; Coup d'Etat; Fascism; Recording; Book Burning; Election Victory; Venceremos; Free German Youth (FDJ); Free German Youth (FDJ)
- Decade1970
- Production Year1974
- Release date3 May 1974
- Genre
- Country of Production
- Actors
- PersonalitiesPatricio Castilla, Salvador Allende Gossens, Isabel Parra, Augusto Pinochet, Daniel Viglietti, Angel Parra, Violeta Parra
- DirectorJürgen Böttcher, Rolf Liebmann
- Producer
- CameraBernd Merten, Horst Simon, Werner Kohlert
- Original Clip IdentifierQ6UJ9A004CSA
EN (US)